Collaborative Endeavors in the Chemical Analysis of Art and by Patricia L. Lang and Ruth Ann Armitage (Eds.)

By Patricia L. Lang and Ruth Ann Armitage (Eds.)

content material: PREFACE ; 1. WHAT>'S mistaken WITH THIS photograph? THE TECHNICAL research OF A identified FORGERY ; GREGORY D. SMITH, JAMES F. HAMM, DAN A. KUSHEL, AND CORINA E. ROGGE ; 2. medical exam AND therapy OF A portray by means of GIJSBERT GILLISZ D>'HONDECOETER within the MAURITSHUIS ; LAUREN PAUL BRADLEY, SABRINA MELONI, ERICH STUART UFFELMAN, AND JENNIFER L. MASS ; three. hand held XRF ANALYSES of 2 VERONESE work ; ERICH STUART UFFELMAN, ELIZABETH courtroom, JOHN MARCIARI, ALEXIS MILLER, AND LAUREN COX ; four. CHARACTERIZATION OF THE BINDERS AND PIGMENTS within the ROCK work OF CUEVA los angeles CONGA, NICARAGUA ; R. LI, S. BAKER, C. SELVIUS DEROO, AND R. A. ARMITAGE ; five. LASER ABLATION-INDUCTIVELY COUPLED PLASMA-MASS SPECTROMETRY research OF decrease PECOS ROCK PAINTS AND attainable PIGMENT assets ; JON RUSS, KAIXUAN BU, JEFF HAMRICK, AND JAMES V. CIZDZIEL ; 6. identity OF natural DYES by means of DIRECT research IN actual TIME-TIME OF FLIGHT MASS SPECTROMETRY ; JORDYN GEIGER, RUTH ANN ARMITAGE, AND CATHY SELVIUS DEROO ; 7. CHARACTERIZING natural RESIDUES ON CERAMICS via DIRECT research IN actual TIME TIME-OF-FLIGHT MASS SPECTROMETRY ; JOHN HOPKINS AND RUTH ANN ARMITAGE ; eight. NEW advancements within the <"NONDESTRUCTIVE>" relationship OF PERISHABLE ARTIFACTS utilizing PLASMA-CHEMICAL OXIDATION ; RUTH ANN ARMITAGE, MARY ELLEN ELLIS, AND CAROLYNNE MERRELL ; nine. the jobs OF CHEMISTRY AND tradition within the ORIGINS AND LEGACY OF CRUCIBLE DAMASCUS metal BLADES ; ANN FEUERBACH ; 10. ELEMENTAL COMPOSITION OF a sequence OF MEDIEVAL KOREAN COINAGE through ENERGY-DISPERSIVE X-RAY FLUORESCENCE SPECTROMETRY ; DANIELLE M. GARSHOTT, ELIZABETH MACDONALD, STEPHANIE SPOHN, HANA ATTAR, JENNIFER SHANGO, IRICE ELLIS, MEGHANN N. MURRAY, AND MARK A. BENVENUTO ; eleven. CHEMICAL COMPOSITION OF a sequence OF SIAMESE BULLET cash: A look for modern COUNTERFEITS ; DANIELLE M. GARSHOTT, ELIZABETH MACDONALD, MEGHANN N. MURRAY, AND MARK A. BENVENUTO ; 12. research OF THE <"ARCHAIC MARK>" CODEX ; JOSEPH G. BARABE, ABIGAIL B. QUANDT, AND MARGARET M. MITCHELL ; thirteen. constructing A group OF technology AND artwork students ; PATRICIA HILL AND DEBERAH SIMON ; 14. THE CHEMISTRY OF ARTISTS>' PIGMENTS: AN IMMERSIVE studying direction ; PATRICIA L. LANG ; 15. BRIDGING the distance OF artwork AND CHEMISTRY on the INTRODUCTORY point ; ANNE GAQUERE-PARKER AND CASS D. PARKER ; sixteen. TECHNICAL exam OF CULTURAL history gadgets linked to GEORGE WASHINGTON ; ERICH STUART UFFELMAN, RONALD W. FUCHS II, PATRICIA A. HOBBS, LAUREN F. solid, DANIELLE S. BOWMAN, AND DEREK A. G. BARISAS ; 17. THE SPECTROSCOPIC research OF PAINTS faraway from A POLYCHROME wooden SCULPTURE OF MALE SAINT ; PATRICIA L. LANG, SHAWN P. LEARY, REBECCA F. CAREY, MELISSA N. COFFER, RICK E. HAMILTON, AMBER L. KLEIN, RANDALL T. brief, AND PHILIP A. KOVAC ; EDITORS>' BIOGRAPHIES ; INDEXES ; writer INDEX ; topic INDEX

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Unfortunately, no further information is provided, leaving many unanswered questions about the picture’s provenance, its attribution, and its whereabouts today. A reproduction of a painting that matches this description was found in the photographic archives at the Netherlands Institute for Art History in The Hague (RKD); further research would be needed, however, to draw any conclusions. ; ACS Symposium Series; American Chemical Society: Washington, DC, 2012. ch002 Figure 1. Gijsbert Gillisz d’Hondecoeter (1604-1653), Cock and Hens in a Landscape, no date.

Cleaning tests indicated the overpaint was readily soluble in the same solvents used to remove the varnish layers (vide infra). Lead soaps are forming preferentially along the wood grain in the gray imprimatura underlayer, resulting in the appearance of short, dark horizontal lines throughout the sky (67) (Figure 10). In other areas, lead soap aggregates have become mobile and migrated through adjacent layers, causing a deformation or rupture at the surface. ; ACS Symposium Series; American Chemical Society: Washington, DC, 2012.

ACS Symposium Series; American Chemical Society: Washington, DC, 2012. ch002 Figure 2. Detail, lower right corner during cleaning. The varnish and overpaint are intact at left and have been removed at right. (see color insert) Figure 3. Cock and Hens in a Landscape. Royal Picture Gallery Mauritshuis. After treatment (2011). ; ACS Symposium Series; American Chemical Society: Washington, DC, 2012. ch002 Construction The painting was executed on an oak wood panel comprised of two glue-joined horizontal planks with a radial grain direction (Figure 4).

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