Between Man and Man (2nd Edition) by Martin Buber

By Martin Buber

Pupil, theologian and thinker, Martin Buber is among the 20th century's such a lot influential thinkers. He believed that the private fact of human existence lies within the dating among one being and one other. among guy and guy is the vintage paintings the place he places this trust into perform, utilising it to the concrete difficulties of latest society. the following he tackles matters as assorted as non secular ethics, social philosophy, marriage, schooling, psychology and artwork. together with a few of his most renowned writings, reminiscent of the masterful what's Man?, this enlightening paintings demanding situations every one reader to re-evaluate their stumble upon with the area that surrounds them.

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Extra resources for Between Man and Man (2nd Edition)

Example text

He who is living the life of monologue is never aware of the other as something that is absolutely not himself and at the same time something with which he nevertheless communicates. Solitude for him can mean mounting richness of visions and thoughts but never the deep intercourse, captured in a new depth, with the incomprehensibly real. Nature for him is either an état d’âme, hence a “living through” in himself, or it is a passive object of knowledge, either idealistically brought within the soul or realistically alienated.

Even Jesus obviously loved of “sinners” only the loose, lovable sinners, sinners against the Law; not those who were settled and loyal to their inheritance and sinned against him and his message. Yet to the latter as to the former he stood in a direct relation. Dialogic is not to be identified with love. But love without dialogic, without real outgoing to the other, reaching to the other, and companying with the other, the love remaining with itself—this is called Lucifer. Certainly in order to be able to go out to the other you must have the starting place, you must have been, you must be, with yourself.

He takes up the position which lets him see the object freely, and undisturbed awaits what will be presented to him. Only at the beginning may he be ruled by purpose, everything beyond that is involuntary. He does not go around taking notes indiscriminately, he lets himself go, he is not in the least afraid of forgetting something (“Forgetting is good,” he says). He gives his memory no tasks, he trusts its organic work which preserves what is worth preserving. He does not lead in the grass as green fodder, as the observer does; he turns it and lets the sun shine on it.

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