Bad Aboriginal Art : Tradition, Media, and Technological by Eric Michaels

By Eric Michaels

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Additional resources for Bad Aboriginal Art : Tradition, Media, and Technological Horizons (Theory Out of Bounds, Vol 3)

Example text

The community also contributed food and other logistic material. This third produc­ tion is the only one authorized for public showing to Warlpiri audiences, although there may be different versions for different audiences. All of this represents a significant achievement over the terms of previous ethnographic and commercial filmmaking. The introduction of satel­ lite television confirmed the concerns expressed by the old people that the younger ones would lose their language and therefore their culture.

Hence a photograph from 1920, even if it was authorized at that time by the appropriate elders, may pose certain problems for their descendants.

Indigenous media flourish today in Australia in a wide and fluid continuum or spectrum of genres, cultures, individuals, and groups. Paintings and other art objects now hang in many important galleries here and overseas and in many ordinary homes. In these same homes the radio may play Yothu Yindi's lat­ est hit, Treaty, or a Kev Carmody song, How High's the Nyandi, Auntie? The TV pick-of-the-week may be Saturday night's late-till-dawn national radio and televi- A Note to the Reader en Cl Z � o In "­ o ....

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