Acting for Singers: Creating Believable Singing Characters by David F. Ostwald

By David F. Ostwald

Written to satisfy the desires of hundreds of thousands of scholars and pre-professional singers engaging in creation workshops and sessions in opera and musical theater, Acting for Singers leads making a song performers step-by-step from the studio or lecture room via audition and rehearsals to a winning functionality. utilizing a transparent, systematic, confident strategy, this sensible advisor explains find out how to research a script or libretto, exhibits the best way to boost a personality construction on fabric within the rating, and provides the making a song performer the instruments to behave believably. greater than only a "how-to" appearing e-book, besides the fact that, Acting for Singers additionally addresses the issues of focus, belief, projection, conversation, and the self-doubt that frequently afflicts singers pursuing the objective of plausible functionality. half I establishes the elemental rules of performing and making a song jointly, and teaches the reader easy methods to improvise as a key device to discover and improve characters. half II teaches the singer the way to examine theatrical paintings for rehearsing and appearing. utilizing concrete examples from Carmen and West part Story, and creative workouts following each one bankruptcy, this article teaches all singers how you can be potent making a song actors.

Show description

Read or Download Acting for Singers: Creating Believable Singing Characters PDF

Best instruments books

Additional info for Acting for Singers: Creating Believable Singing Characters

Sample text

Even behaving as if what has just happened makes no difference to you is an action in its own way and will affect your body. The same should be true for your character. Respond as if you are in your character’s situation, let the appropriate feelings well up, and allow your body to express them in actions. ) Putting It Together Salome is only one of many opera characters whose passions drive her to extreme measures. To perform her and her ilk effectively, you have to expand your own empathetic abilities and your willingness to explore and share the depths of the human soul.

In well-composed works, the music portrays both the subtle emotional colors and the complex mix of consistency and unpredictability that make characters seem real. ” at the bottom of her register, rather than screaming it up high. Even for characters drawn with a broader brush like those in Fledermaus or Candide, the music captures their feelings, motivations,  Believability: The Territory and the Tools and attitudes so effectively that if you simply sing them with conviction and expressivity you will be well on the way to bringing them believably to life.

How able am I to move freely as I sing? The Divine Marriage  EXERCISE 8. (I) Self-Assessment Videotape Instructions: Every four to six months make a videotape of yourself performing. Study it closely for all aspects of your effectiveness as a performer. As you watch and listen ask yourself: Do I seem self-conscious? Do I stay in character? Are my gestures expressive of my character’s thoughts and feelings? Do I gesture in a logical relationship to my breathing and to the flow of my character’s ideas?

Download PDF sample

Rated 4.12 of 5 – based on 39 votes