A Horse Called September by Anne Digby

By Anne Digby

Mary Wilkins embarks on a bold scheme to avoid wasting the lifestyles and occupation of the loved horse she has taken care of whereas its proprietor, her youth ally, is away at boarding university.

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Applebaum also mentions Donna Haraway’s influential concept of the cyborg as a being that disrupts many of the binary concepts associated with liberal humanism (mind/body, self/other, culture/nature, male/female and so on), but her discussion curiously sidesteps a meditation on how various children’s texts might entertain such an idea, by instead focusing on Haraway’s claims about the cyborg’s lack of origins. This leads into an examination of how “the family” is reconceptualised in clone narratives, which is obviously an important issue, but at the same time sets aside more fundamental questions about how a cyborgian figure challenges and disrupts preconceived notions about human subjectivity and consciousness.

The asteroid now looms ominously in view on the horizon, a constant reminder of the devastation that was narrowly escaped. Its presence simultaneously serves as a warning, because if the asteroid manages to break free, the future of the planet will once again be in jeopardy. 44 Technology and Identity in Young Adult Fiction Jane’s limitations as a narrator arise from her profound discontent. Although a member of the privileged wealthy elite, her life is defined by a dearth of genuinely intersubjective relationships.

Link these two texts through their use of point of view strategies, as both enable point of view to be located in mechanoid characters: Point of view strategies used in Eager and A. , whereby the narrative is significantly focalised by a mechanoid character, serve to highlight both ethical and philosophical issues . . Strategies used to imply point of view in prose narrative highlight the extent to which Eager is a thinking, feeling, “real” being. The narrative presents him as if he were a human being and, as the distinction between the human and non-human begins to dissolve, what we imagine as “natural” feelings are attributed to the machine.

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