By American Academy of Ophthalmology, Debra J. Shetlar, MD
Discusses advances within the analysis and type of tumors because it courses the reader via a logical, tissue-specific series that levels from topography via ailment strategy to common and differential analysis. comprises many new colour pathologic and scientific photos and diagrams. Covers wound fix; specimen dealing with, together with processing and marking; and diagnostic strategies. additionally contains a list for asking for ophthalmic pathologic session.
Read Online or Download 2007-2008 Basic and Clinical Science Course Section 4: Ophthalmic Pathology and Intraocular Tumors PDF
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Extra info for 2007-2008 Basic and Clinical Science Course Section 4: Ophthalmic Pathology and Intraocular Tumors
I will argue that these variations can be linked to the speciﬁc notions of optics and geometry available to the individuals concerned. 1 Geometry and the Perspective of the Circle To show how a knowledge of geometry could influence conceptions of perspective, it sufﬁces to consider the case of the perspective of the circle. 22 Nevertheless, the theory of conic 22 Apollonii Pergaei quae graece extant cum commentariis antiquis, t. I–II, ed. L. Heiberg, Leipzig, 1891–3. After showing in Book I, prop.
Many studies have attempted to determine where the viewer was supposed to stand and look at the picture, based on the assumption that the perspective line was correctly drawn. Such an exercise can be contemplated because, once the depth scale has been calculated, there is a 16 Panofsky, Perspective as Symbolic Form, p. 62. Judith V. Field, Roberto Lunardi, and Thomas B. Settle, “The perspective scheme of Masaccio’s Trinity fresco,” Nuncius 4 (1989): 31–118. 18 Volker Hoffmann, “Masaccios Trinitätsfresko: Die perspektivkonstruktion und ihr Entwurfsverfahren,” Mitteilungen des Kunsthistorischen Institutes in Florenz 40 (1996): 42–77.
Panofsky’s list, however punctilious, only includes correct methods. It is quite possible, therefore, that it does not contain all the solutions that were explored during the Renaissance and it must be completed by a rational examination of all the possibilities. Imagine ﬁnding yourself in a room paved with identical square tiles. Now open a door to the point at which it crosses a tile diagonally. You will note that the door is lined up diagonally with all the tiles and—as trivial as it may seem—this diagonal line is a straight one.